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LUMENS, archives, 1998-2003
Opaque yet translucent, unbounded and restrained, fluid and frozen, her work has been described by essayist and critic Arden Reed as being constructed out of dichotomies: “Surface/depth, randomness/design, flesh/word, motion/stillness. Her paintings both enliven and compose us." (Click on painting for larger image.)
Reclaiming Territory XVIencaustic and mineral pigments on birch panel, 52 x 46 inches, 2000 private collection Santa Fe | The Texture of Awarenessencaustic and mineral pigments on birch panel, 67 x 59 inches, collection of the Ritz Carlton | Birthmark Iencaustic and mineral pigments on birch panel, 67 by 59 inches, private collection Germany |
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Dissected Desireencaustic and mineral pigments on birch panel, 78 x 69 inches, collection of Paul Allen, Seattle | First Breathencaustic and mineral pigments on birch panel, 78 x 69 inches, private collection Sioux City | Absorbtion of the Feminineencaustic and mineral pigments on birch panel, 78 x 69 inches |
Inside/Outsideencaustic and mineral pigments on birch panel, 78 x 69 inches, collection of the Boise Art Museum | Lumens XXXencaustic and mineral pigments on birch panel, 53 x 78 inches, private collection Scottsdale | Lumens XXXIIencaustic and mineral pigments on birch panel, private collection NYC |
Lumens XXIXencaustic and mineral pigments on birch panel, 60 x 54 inches, private collection NYC | Lumens XXVIIIencaustic and mineral pigments on birch panel, 40 x 37 inches | Reclaiming Territory IIencaustic and mineral pigments on birch panel, 69 x 57 inches |
Reclaiming Territory VIIencaustic and mineral pigments on birch panel, 26 x 23 inches | Lumensencaustic and mineral pigments on birch panel, 54x 73 inches, commissioned by the Ritz Carlton Palm Beach | The Missing Oneencaustic and mineral pigments on birch panel, 78 x 69 inches, collection of Scottsdale Museum of Contemporary Art |
Tracesencaustic and mineral pigments on birch panel, 40 x 37 inches, private collection |
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